Raja Sehari by Tororo.aoiThe name of the piece, Raja Sehari, comes from a practice in which the bride and groom in a Malay or Peranakan wedding are considered royalty on the day of their union. Scrumptious, luscious, Peranakan weddings with lavish, embroidered wedding robes and a full set of heavy gold jewelry are now mostly considered a thing of the past, with most brides opting for modern wedding silhouettes with Peranakan motifs. This illustration is inspired by the

For his piece

Ang Manghuhula sa Plaza Miranda (The Fortune Teller in Plaza Miranda) is derived from Gustav Klimt’s version of the iconic Western painting Judith and the Head of Holofernes

Food plays a big part in Singaporean culture

reflecting on her personal creative process and enriched by her adoration and pride for Asian pop culture

@haranikala

Eberta was deeply affected by its themes of suffering and loss

drawing parallels between Man Ray's metaphorical "Glass Tears" and drag artistry

Having their photo taken

conservative values of older generations clash with the Western-influenced ideals held by young people

The Birth of Venus meets Crouching Tiger

with the artwork serving as a commentary on how food has become a bridge between Asian and Western communities

Nadia's showcases people admiring the sunset at the end of the day